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					Alistair Houghton meets JON CORNER, of Liverpool’s River 
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		THE World Expo in Shanghai is not just a massive showcase for Liverpool 
		– it will also take River Media’s work to an audience of millions. 
		
		The company, led by creative director
		
		
		
		Jon Corner,
		has made 80 films that will be shown at Liverpool’s Shanghai pavilion. 
		They include a spectacular introductory 3-D film, featuring a Chinese 
		dragon and a Liver Bird soaring above Liverpool. 
		
		It’s the biggest project yet for River and proud Liverpudlian Corner has 
		enjoyed the “cultural challenge” of taking the wonders of his home city 
		to a Chinese audience. 
		
		Many of River’s Shanghai films use Liverpudlian Chinese speakers to give 
		the Shanghai audience an audio surprise. 
		
		“The idea is that they will hear Mandarin coming at them with our 
		accent,” said Corner. 
		
		“We had a focus group of Chinese people from the North West and they 
		gave us some great ideas and some great approaches we could take. This 
		was one of their suggestions – they like to hear English people having a 
		go at Chinese. 
		
		“We have used one amazing lad called Barry Cox, who’s a pop singer in 
		China. He’s a classic cheeky Scouser, but he’s fluent in Chinese.” 
		
		With millions of visitors milling around an Expo site that is larger 
		than Liverpool city centre, every pavilion will need to stand out. 
		
		Corner says his aim has been to create films that “get people talking 
		and wanting to know more about Liverpool and the North West”. 
		
		Visitors will be greeted by a video message from Sir Paul McCartney 
		before heading into a theatre for the first 3-D film. 
		
		“The film sets the scene for what an iconic and exciting city we are,” 
		said Corner. 
		
		River’s other films will be on display throughout the pavilion, whether 
		on huge plasma TV screens or on smaller touch- screens where visitors 
		can find more information on Liverpool. 
		
		Those films cover subjects from Liverpool’s musical history to 
		biochemistry and wealth management, and are aimed at potential tourists 
		and investors alike. 
		
		River has been working on the films since October. 
		
		“It’s been great fun and a great challenge,” said Corner. “We were 
		delighted to win this contract and we’ve risen to the challenge. The 
		timetable was always a challenge, but it’s meant we’ve had to work 
		smarter.” 
		
		The 3-D element of the project created its own challenges for River’s 
		team. 
		
		Corner said: “When you make a 3-D film, you’ve got to make one film for 
		the right eye and one for the left eye. You converge them to get a 3-D 
		effect. 
		
		“It’s one film but you need two cameras and two sets of post-production 
		work. It’s a technical challenge.” 
		
		The 3-D films created files so enormous and needing such processing 
		power that River teamed up with Liverpool-based Render Nation, which 
		boasts a “farm” of hundreds of computers to allow it to process 3-D 
		images. 
		
		“Just one scene with three flowers took over 100 computers three days to 
		process,” said Corner. “Every petal has got to be rendered twice so 
		they’re coming at you in 3-D.” 
		
		River’s work on the Shanghai project saw Corner work closely with 
		Liverpool Vision and, earlier this year, Corner joined the regeneration 
		body’s board. 
		
		He said: “I wanted to be involved with an organisation that was working 
		to make sure the success we are seeing in Liverpool goes to the next 
		stage. 
		
		“I want to make sure Liverpool gets better and better.” 
		
		Corner spent 15 years as a music producer at a time when the industry 
		was grappling with new digital recording techniques – a challenge which 
		taught him the importance of staying on the cutting edge of innovation. 
		
		He worked at Advision, then one of the West End’s most famous studios, 
		and worked with bands including the Pet Shop Boys and New Order – and 
		Italian chart-topper Pino Daniele. 
		
		“It was a very exciting work – it was the place in London,” he said. 
		
		He also began giving guest talks at universities, which made him realise 
		that he could make a career in the education sector. 
		
		In the mid-90s, Corner came back to his home town to settle. 
		
		“I came back because of my family, really,” he said. “I wanted my kids 
		to grow up in the city. 
		
		“Plus, Liverpool had changed. By the late 90s, we were well on our 
		journey, our renaissance.” 
		
		Corner became a senior lecturer at Knowsley College. He co-founded River 
		Media in 1998 as a “hobby” and to focus on visual art installations but, 
		as he built up a relationship with Sony, he decided to go full-time with 
		River. 
		
		The recession has slowed Corner’s growth plans, but he is confident 
		River has a bright future. 
		
		“I’ve got big plans and big ambitions,” he said. 
		
		“We’re involved in cutting-edge content for outdoor exhibitions – 
		content for domes, cylindrical displays, international airports. 
		
		“We’re looking at auto-stereo content – 3-D content for plasma screens 
		you don’t need glasses for.” 
		
		River is also working on an introductory film for the new Museum of 
		Liverpool. 
		
		Education is still close to Corner’s heart, and he is keen to ensure 
		that schools and colleges are turning out young people with the skills 
		needed to work in the creative industries. 
		
		He works with the NWDA to mentor graduates from Salford and Liverpool 
		John Moores universities, and is on the board of North Liverpool 
		Academy. 
		
		He is also a member of the governing council at Salford University, and 
		is chairman for the executive committee of the university’s MediaCity 
		campus. 
		
		Corner worked on Salford’s bid to attract the BBC to the North West, and 
		is an evangelist for the £500m MediaCity project and what it could mean 
		for Mersey creatives. 
		
		“It’s going to be hugely beneficial to the city,” he said. “It’s a 
		tremendous opportunity for the talent pool in Liverpool to exploit 
		what’s on offer at MediaCity. 
		
		“We will see activity there exploding over the next five years. 
		
		“For Liverpool, there’s a tremendous long-term opportunity for us to 
		provide the talent pool that MediaCity is going to require.” 
		
		Corner stresses that technical skills will be as much in demand as 
		creative ones. 
		
		“People think they need to be directors or cameramen,” he said. “But 
		they won’t be the jobs on offer at MediaCity. The jobs there might be in 
		systems management, project management, or intellectual property work. 
		
		“This is Liverpool’s chance to be seen as a talent pool.” 
		
		Corner is a 
		
		
		
		family 
		friend of 
		
		
		Kate and Gerry McCann, whose daughter,
		
		
		
		Madeleine,
		is still missing three years after she vanished in Portugal. 
		
		He has produced videos for the family to keep their campaign to find 
		Madeleine in the public eye – including one film released this month to 
		mark the 
		
		
		
		third 
		anniversary of her disappearance. 
		
		He said: “I’m working with Kate and Gerry to keep the message out there 
		that there’s a little girl we need to find.” 
		
		TO HELP the McCann family’s search for Madeleine, visit 
		www.findmadeleine.com |