I'M different, of course. No, shut-up. I am. There were people across
the world watching, live, as an Italian court decided, again, if one
pretty girl was still guilty of murdering another pretty girl, and they
are all voyeuristic sickos who should be ashamed. But not me. I was
stuck in the office; it was on; it's an entirely different situation.
I'm not one of those freaks who reads up on this stuff. I'm one of the
good guys.
But you'd probably say this, too, about yourself. Who wouldn't? Nobody
is the problem, nobody is the person with the invasive, insensitive
interest. Everybody is just piggybacking on the prurience of everybody
else. Even the horrible TV presenter who so horribly asked his horrible
audience whether they'd like to have sex with a woman who had just been
acquitted of helping to kill another woman so brutally that footprints
were left in her blood - well, even he was just tapping in to what
others were saying, wasn't he?
Although not people like me. Or, I assume, like you. We didn't do that.
Or if we did, then it was ironic. Because everyone else was. Because
that was the mood. It wasn't us. It wasn't us.
I think we need to take a look at ourselves. I think this is one of
those times when many of us, collectively, have been behaving in a quite
appalling manner which, individually, we simply would not do.
A violent death in an Italian bedroom: whether there were two people
there or four people there, whatever happened was no world event, but a
small, gruesome, tawdry thing. There are people who have a right to know
about its minutiae - the bra here, the bloodied pillow there - but they
are not you or I. Yet here we are, clod-hopping through it all with the
clumsiest and most tactless of feet. We should shrivel up, daily, at our
own sheer, unthinking intrusiveness into something so personal, into
which we have no stake at all. Yet we don't. Why?
Left alone with a confidential police file, none of us would sneak a
look - or, at least, not without hating ourselves for it. Why is it any
better to read a report in the paper or watch one on the news? Because
everybody else is doing it? So what? This is the morality of a looter.
It's no morality at all.
Yet this is the pattern. This is
what we do. We might not all do all of it, but we all do some of it.
Never mind the recent ones; Perugia, Soham, Madeleine McCann, Sarah
Payne and Millie Dowler; go back through Fred and Rose West, Harold
Shipman, Brady and Hindley, to Jack the Ripper and Burke and Hare. Why
do we always feel that murder makes a victim public property?
The most heartbreaking thing I've read this week - because somebody
mentioned it and I wanted to see it; because I'm no different from
anybody else - was an old article by the murdered girl's father, John
Kercher, in which he wrote about wanting to be able to remember his
daughter, Meredith, as something other than a girl who was horribly
killed.
Why do we make it so hard for him, when we must know we're doing it? Why
do we find it so easy to put our humanity on the shelf?
The "we" in this context is not the media. Or, at least, it's not just
the media. Something that has not been said enough these past six months
- perhaps because people like me have been too embarrassed and
frightened to say it - is that newspapers don't exist in a vacuum. The
News of the World (spit on its grave) did not hack Milly Dowler's
voicemail for fun. It did so because it had readers hungry for stories
about the disappearance and possible murder of a pretty 13-year-old
girl. Indeed, the stories hacked from her voicemail even mentioned her
voicemail.
I'm not being preachy. Personally, murder genuinely isn't a thing I
normally read about and medical disasters don't do it for me, either.
You give me a brutalised, incestuous family held in a Germanic basement,
though, and I'm gripped. It's dishonest to pretend otherwise; there's
something in us that gets off on this stuff. And it's not even a
necessity, but a treat. Look at the runaway success in recent years of
misery literature. We tell ourselves it's therapy, but it's not. It's
fun. We do not really need to talk about Kevin.
Many families of murder victims are actually surprisingly keen to speak
to newspapers. I bet they're often less keen on what happens next.
Newspapers are no longer tomorrow's chip paper. The words hang around,
for ever. Through data trails and social networking, we all have a stake
in what everybody else is saying about us. When the public takes
ownership of a crime, those involved step on to a platform with
celebrities. They don't belong there. Ten, 20 years ago, we'd gossip in
a bar and the people we were discussing would never know. Today we do it
online, and they'll have to work to miss it.
I have limited sympathy for the Hugh Grants and the Max Mosleys of the
world, whether the press treats them fairly. They've entered the
kitchen, it's hot in here, deal with it. But the Kerchers? The Dowlers
and McCanns? What do we think we are doing? Public or press, what rights
have we over these lives? Our eyes are open. We are awake. We know the
effect on them we have. A criminal has taken their loved ones, leaving
something that looks roughly the same, but has none of that person left
inside. Then the rest of us come along, in a mob, and blithely do the
same.
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